Release Date : Jul 5, 2013 Limited Genre Movie :Drama,Romance,Comedy
Mpaa Rating : Unrated
Actors :Steve Coogan,Anna Friel,Imogen Poots,Tamsin Egerton,Annette Bening,Robin Williams,Amy Brenneman,Matt Lucas
LOOK OF LOVE is the story of a widow named Nikki (Bening) who, several years after the loss of her husband Garrett, meets a man named Tom (Harris) who looks exactly like her deceased spouse. Suddenly, a flood of old feelings rush back to her and she realizes she's met the love of her life....again. The film is a romantic story filled with humor, surprise, and reflections on the mystery of love. Weixler will play Bening's daughter in the picture. Unrated
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There's something a bit over-familiar here - in a solidly entertaining, made-for-telly, nothing-we-haven't-seen-before, way.Cath Clarke-Time Out
Steve Coogan's performance is consistently amusing, but the poignant dimensions the director appears to be seeking don't quite come together.
David Rooney-Hollywood Reporter
Though all the performances are very good, much of Look's entertainment value comes from an impressive tech package that captures the shifting fashions of swinger-favored pop-culture garishness over the pic's roughly 25-year period.
Dennis Harvey-Variety
Though this might be the least of their four creative collaborations... The Look of Love provides the same unique pleasure exclusive to their pairings: an opportunity for the oft-misused Coogan to shine.
Simon Miraudo-Quickflix
The film begins after Debbie's death, with Raymond watching a documentary about her life. No sooner has this started than the action switches to a second documentary. Even Citizen Kane only needed one documentary-within-the-film, for goodness sake.
Ryan Gilbey-New Statesman
This fascinating story is told with vivid style, a terrific use of actual settings and a strong cast.
Rich Cline-Shadows on the Wall
The film tells this story with gaudy brio, but the tone is wildly uneven, veering between Swinging 60s romp, nudge-wink satire and cautionary fable, as if Winterbottom and Greenhalgh couldn't decide what film they were making or who Raymond really was.
Jason Best-Movie Talk
The unedifying spectacle is cut with sadness.
Ed Whitfield-The Ooh Tray
A disappointingly crude and shallow biography ...
Philip French-Observer [UK]
This version of the baron isn't even allowed to become anything so interesting as an enigma. It's Steve Coogan - only less so.
Donald Clarke-Irish Times
It's more than a disappointment -- it's a puzzlement. How did Michael Winterbottom, who's made so many intriguing movies that veer well away from the cautious, make a film so tediously conservative...?
MaryAnn Johanson-Flick Filosopher
Michael Winterbottom vividly recreates swinging 1960s London in this biopic about one of Soho's most notorious figures. It's a lively and attention-grabbing film, but the cast and filmmakers never create a character we can identify with or care about.
Rich Cline-Contactmusic.com
The net result might be an over-stretched story lacking in drama and tension, but it's also a good period study with a fine central performance from the maturing Coogan.
Graham Young-Birmingham Mail
Director Michael Winterbottom has achieved the impossible: he has made a biopic of Paul Raymond, Britain's most colourful porn baron, that's unobservant, unerotic and dull.
Christopher Tookey-Daily Mail [UK]
Steve Coogan delivers a knock-out performance that renders the central figure in all of his complexity - at once admirable, deplorable and pitiable.
Shaun Munro-What Culture
This is a shallow but watchable movie, and it nicely conveys the world of semi-respectable Soho porn, sadder and tattier than its sleazier end, with its desperate champagne lunches and dreary afternoon hangovers.
Peter Bradshaw-Guardian [UK]
Raymond's tragic, 'tache-sporting rise-and-fall story is mildly fascinating at times, but as a comedic drama it isn't especially funny or dramatic.
Stephen Carty-Flix Capacitor
It's all basically a way of getting some exceptionally nice knockers onto the screen.
Antonia Quirke-Financial Times
If Raymond remains elusive his daughter Debbie blazes with an intensity that elevates the picture into much more dramatic and disturbing territory.
Henry Fitzherbert-Daily Express
Raymond would probably have approved - which might not be such a good thing.
Paul Fairclough-Little White Lies
Paints a profoundly sad portrait of a fascinating Soho figure.
Matthew Turner-ViewLondon
Quips aside, there's a disappointing lack of depth to the characters.
Damon Smith-Birmingham Post
Devastating proof that money can't buy you happiness is delivered in this chronicle of the life of British porn baron and property emperor Paul Raymond.
-Sky Movies
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Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both.TagLine The Look of Love The only thing more dangerous than war... is love.
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